Travis Petty - Really great piece. Very solid mounting of the camera, little to zero vibration. What mount did you use? Also, was the camera mounted as-is, or did you have the fancy exoskeleton like this: http://www.viewfactor.net/index.php/contineo-5d-non-powered.html
We have a sticky pod director kit, and have used it a few times. Our first mount was on the outside of a VERY fancy Dodge Viper, talk about scary! I would have liked to mount to a 1983 Chevy pickup for our first outing, just to make sure we don't cause any damage. Of course, everything worked perfectly, and not a single scratch or blemish was made. We have a tripod head on the sticky pod, and the whole affair is very front heavy (with the lens sticking out front, since the mounting screw hole if on the body), so there's no way to support the end of the lens, which leads to a bit of vibration when pushing cars at 30+ MPH speeds.
Thanks!~
Travis Petty
Clint Davis - It's amazing this race is still legal... balls of steel
Its been almost a week since the 84th running of the Pikes Peak International Hill Climb and normalcy still escapes me. Waking for 4 days in a row, hours before dawn to ascend a 14 thousand foot mountain left quite an impression (as it did the year before). As the sun separated the horizon line and the lifeless gray shapes around me formed the spectacular landscape of Colorado Springs – I found myself wondering ‘ why did you sleep in all these years?’
I’m working on a follow up to 2009’s Climb Attack. New driver, new car, and same class – Time Attack 2WD. Its my hopes that the film leaves your mind with the same sense of wonder – that mine experiences being on the edge of Bottomless Pit.
Bonjour, from France. It will be strange to see Porsche 911 GT3 cars in their natural environment at Paul Ricard this weekend.
Pikes Peak International Hill Climb – Jeff Zwart’s record setting qualifying run
Project: Record in-car footage of the the Porsche GT3 Cup racing up Pikes Peak during the Friday qualifying session.
Role: Director, Editor, & Colorist.
Shot with the Canon 5D MII. Edited in Final Cut Pro. Graded in Magic Bullet Looks.
After reviewing the practice footage from Friday, Jeff wanted to release the in-car footage from his record setting qualifying run. I agreed. This is from the production of my second Pikes Peak short film – which will follow driver Jeff Zwart as he drives a Porsche GT3 Cup up the 14k mountain.
Get excited for my follow up to 2009’s Climb Attack.
Zy - Wow, love the camera position, he inside view makes you realize how hard it is to drive like that.
I'm all-ways amaze how much they have to turn the steering around when it goes into a drift.
Overall, great video.
Vincent - Great work Will. Could you share with us which lens you used on the MKII for the in car shot? Did you use some sort of stabilization or did you attach it straight to the roll cage?
While in Philadelphia on Keep Drifting Fun, I went and explored West Philadelphia with Andy, Jacob Chills, and Linhbergh. I brought along my Canon 7D to do some ARTPANTS‘ing, but ended up shooting some video as well. When I downloaded the clips, I really liked their feel. Dark skies, off and on rain, really nice lighting to show off the Love Letter murals; so I cut them together with a new Roots track. The Roots – “Dear God 2.o” works well because it feature the Monsters of Folk who I am hooked on and the Roots who are Philly born musicians. It was important to me that the music add to the message of the art and not just be something to cut with or be a background to the image. The track adds another layer of meaning to the overall composition.
I was stunned when I did a quick search of YouTube and found little to no coverage or video of the Love Letter murals. They are significant and important pieces of art. They help to define and inspire a community with a rich heritage of hand illustrated graphical art. Hopefully, this edit will expose more people to Stephen Power’s murals – Love Letter For You. Enjoy!
Mason - As always, nice work. It's really a treat to have an artist I follow visit my city. What strikes me about your work is how true to the actual places your shots are. Everything looks how you showed it, but it takes on new meaning as you call attention to the shots.
There are a lot of things to shoot in Philly. Going down the blue line takes to to places most people have been past, but may not have taken the time to really look at.
Nice work!
Markus - I think this is just amazing. I only knew you for your drifting videos and this is actually the first time i'm visiting your website, but this video has left a serious impression on me. I'll make sure to check in more regularly now :) much love from Germany. //MPI
Ryan Derfler - Thanks for putting together such a skillful collage of West Philadelphia and our Love Letter Project! If you're back in Philly, please drop me a line if you'd like me to send you out with one of our guides, the back story on each of the 50 rooftop murals in that series is truly fascinating. Peace. Ryan Derfler
Role: Co-Director, Editor, & Colorist. Co-Directed, Co-Edited by Joshua Herron.
Shot on the Canon 7D, Pansonic HMC-150, and CONTOUR HD cameras. Edited in Final Cut Pro. Cropped to 2:35.1. Graded in Magic Bullet Looks.
After basing our first video on Chris’ interview following Formula D – Atlanta we decided to go a different route and make a film that told the story of the weekend through a visual narrative. We knew that without the interview to use as a skeleton – that the visual image and sound design would be crucial to the success of the short film. Better to show and not tell.
andi - Thanks for sharing this. i've just starting going into fillmaking myself and know i'll need to spend more hours reading valuable stuff like the ones you have. i've also found this site which i also bookmarked: http://thenewfilmmaker.com/
Project: Document the first FIA GT3 race of the 2010 season at Silverstone. Utilize interview footage to create a narrative around the weekend’s events.
Shot on the Canon 7D and the Pansonic HPX-170. Converted to Sony XDCAM HD422 50mb/s codec. Edited in Final Cut Pro. Cropped to 2:35.1. Graded in Magic Bullet Looks.
Vali - Another awesome video piece! What type of view finder do you use for your Canon 7 D?
Will - Thanks Vali. Viewfinder wise, I have a hoodman - but barely use it. If its not too sunny I don't use a viewfinder. Been looking into a small external monitor.
This is a still frame from some of my recent footage from Formula Drift New Jersey. Hobo and I are documenting NOS Energy Drink sponsored driver – Chris Forsberg. This weekend was the first production that I exclusively utilized the Canon 7D. The HD DSLR image quality is incredible compared to previous cameras I have utilized – like the Sony EX-1/EX-3 and Panasonic HPX/HMC.
A good friend from Charlotte and a good friend from Los Angeles joined up with a good friend from Philadelphia that we were crashing with to explore West Philadelphia on a Tuesday afternoon. I’d been following the Love Letters mural project in West Philly for a while now online – so it was awesome to see the murals in person. More to come soon.
Off and on rain all day. Humid and miserable = perfect.
Throw out your Hero camera and pick up a ContourHD. Unlike the GoPro the ContourHD cameras actually work.
The ContourHD cameras are simple to setup, easy to operate, and the image quality is superb.
For the shots from Andy Sapp’s car, we utilized the windshield mount kit with the first camera, and the universal mount adapter with a Manfrotto magic arm attached to the roll cage with a Manfrotto super clamp with the second camera. The windshield mount kit suction cup was mounted to the upper windshield and pointed forward at the hood. While the super clamp was attached to the passenger side impact roll cage – then the magic arm attached to the clamp – pointed out the window extending about a foot outside of the passenger side window. Then the universal mount equipped Contour Camera was attached to a camera platform on the end of the arm. The distance outside of the car is what gives the side angle shot of Andy driving such a cool feel. It’s a view that is out of the ordinary and in a location where few cameras have been mounted before (none that I can think of – that’s why I put it there…)
Andy did a nice job syncing and mixing the audio from the two cameras. The split screen works well. So press play and ride along.
Jeff - Hey Will,
Really enjoy your work. Just purchased a HD GoPro and still trying to learn how to get the most out of it. Not trying to get you to badmouth the company, but what troubles were you having with it? Thanks
Toma - I have one Gopro... I think two is better :))
Hobo and I are on the road for Keep Drifting Fun – here is our second collaboration project to date Chris Forsberg – Formula Drift Atlanta 2010. Chris is the 2009 Formula Drift champion and driver of the NOS Energy Drink Nissan 350z. The video follows Chris through his weekend competing in Formula D.
Fantasy
It gets the best of me
When I’m sailing
All caught up in the reverie
Every word is a symphony
Won’t you believe me
This song has been stuck in my head all day. I had to look up the lyrics because at one point I thought he was talking about midgets, magic, and mind blowing. Turns out, the lyrics are incredibly well done – Yacht Rock.
Clint Davis - You kill absolutely everything, I get a headache thinking of how you got all these amazing shots... the tire bouncing across the track? ahhh!
by Will
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